Friday, December 11, 2009

My crit partner is a sadist.

So after weeks of badgering, my crit partner convinced me to enter the I Heart Harlequin writing contest. I caved and wrote a chapter and synopsis one week before the deadline. I even managed to dredge up a plot that worked without giving me too much heartburn/acid reflux.

I do not write contemporary, nor do I generally dream up the kind of plot-lite stories that are the staple of the Harlequin Presents or Modern Heat lines. And this kind of writing is more difficult than you can imagine, because it requires a great deal of emotional character angst shoveled into a well worn story line. What I like about Harlequin editors is they come right out and tell the contest participants not to write anything too fresh or creative. (What a relief.) They want you to use the time tested plots "we have all come to know and love––just change up the characters a bit." Well, at least they're honest.

Here is a kind of sample scenario:
Handsome Rex Ruthless billionaire, coerces young attractive waitress, Dixie Doosey into sleeping with him. Either that or he will foreclose on her Grandpa Gabby's ranch. Then somehow (don't ask how, it's just too unbelievable) the rich hunky dunkster realizes he has fallen in love (sigh). Now he must do everything in his bank account to win her back, like pay off the huge tax lien on grandpa's property. Then the enchanting waitress will have sex with him again, oh no, I got that wrong––I mean so that the she will marry him. HEA.

By the way, the story above was not what I wrote. If I had written the love tale above, I might have won.

There is an alternate plot that revolves around a love child custody battle and heroine abduction but you don't really want to read that blurb, do you?

So, that's it. Needless to say, I didn't win. My crit partner is sad about the fact that I lost, because she wanted me to win badly. I suspect it would have given her great pleasure to see me struggle to complete a 55,000 word Modern Heat manuscript with the help of a Harlequin editor (for a whole year).

Boing. (The sound of my brain imploding.)

My crit partner is a sadist and likes to see her friends and loved ones tortured. :-)

Monday, November 16, 2009

The tediously slow slog to acquiring an agent/publisher.

Could it get any slower than tediously slow?

I have decided that a decelerator clock hangs directly above the circumlocution slush pile on the desks of agents and editors. Lately, I have experienced a recurring nightmare (undoubtedly triggered by a number of harrowing stories vented by other writers) regarding the length of time it takes to get a decision on a manuscript.

Did someone say as long as a year?

Fine. In the meantime I will write a few novels while I wait.

On a happier, less impatient note, I found out last night The Yard Man finaled in the Romantic Suspense category of the RWI, Where The Magic Begins contest.

Waaaaay too happy to frown about slowness today.

Sunday, November 8, 2009

A monster with no voice: the synopsis.

Don't bug me.

I am just finishing up the rough draft synopsis for
The Seduction of Phaeton Black.

Sometime in either the recent or distant past, agents, editors and contest directors
decided the very best way to aggravate a writer would be to invent something called a synopsis. And I would never spend a moment of my time on the beast, if it wasn't for the fact that those same agents, editors and contest directors require them. All I can say is, once I am finished with this latest synopsis, I will be able to enjoy life again.

Meanwhile, I stare at the writing and think, how does anyone ever sell anything based on a few pages of present tense narration? But I keep slogging along, trying to make those few pages as interesting and as well written as possible.

I suppose writers who enjoy tons of narration/internal thought don't mind writing a synopsis. But for those of us who prefer to tell most of the story through character dialogue/interaction/action in relatively deep POV, the process of synopsis writing is painful.

It has taken me a full seven day week to complete a 14 page synopsis for Phaeton and it's not over. In a few days I will have to go back and revisit, revise, and edit down.

I can't think about it.

Okay, I am finished with my rant/whine/vent session. Happy now. See the smiley face? :-)

Thursday, October 29, 2009

The Yard Men Series: Four hot new novels in the works.

The Yard Man: An Affair with Mr. Kennedy

The Seduction of Phaeton Black

The Carnal Sins of Raphael

The Miss Education of Doctor Exeter


I am currently writing several historical romance novels under the series name: The Yard Men. Set in late Victorian London, the crime solving agents of Scotland Yard have never been more wickedly sexy or as brilliantly clever. No bumbling detectives in my Special Branch. Or Secret Branch.


Speaking of Special and Secret Branch, let's get these two divisions of Scotland Yard straight.


Special Branch novels are romantic suspense stories that incorporate elements of Steampunk, including an assortment of gadgetry, (sometimes fantastic gadgetry) a good deal of action/suspense/crime solving and sensuous love scenes. The heroes are clever, enigmatic, alpha males, like Zeno Kennedy and Raphael Lewis. The heroines are vibrant, independent women who are resilient and strong in surprising ways. These books spend more time on the romance (suspense plot secondary) and the relationships end HEA.


Secret Branch is a division of Scotland Yard that is unseen to the outside world. Only a few key agents are even aware of its existence. The novels are paranormal or occult detective stories that feature a darker anti-hero, who often hooks up with an anti-heroine. Together, they solve crimes and disruptions created by all manner of unearthly creatures. The love scenes are spicy/sensuous and the relationship resolution, HFN. The heroes of Secret Branch are brilliant, troubled, and often have special abilities/powers to perceive/bend reality. Phaeton Black and Doctor Exeter are examples of Secret Branch agents. The heroines of these extraordinary men are bold, spirited women who are as intelligent as they are sensuously adventurous.


So, why do I feel the need to discuss the structural components (divisions) of The Yard Men Series? I think it is because they straddle a number of subgenres. And is that a good thing??


The question is––is this genre mixing a problem for the reader? As a paranormal reader, do you read much historical suspense? And historical readers, do you read historical paranormal? (I know there are many timeshift books out there set at least partially in a historical time period.)


Love to hear your thoughts and comments on this matter of straddling/mixing genres.